2011-2010 Events Archive
‘Scorescapes’ Ph.D dissertation download
The doctoral dissertation ‘Scorescapes: On Sound Environment and Sonic Consciousness’ is available to download on the Leiden University Repository:
https://openaccess.leidenuniv.nl/handle/1887/18184
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Interview in WDR Radio review of Tracing Mobility, Berlin
A Radio piece for WDR by Andrea Gerk on the exhibition includes and interview with Yolande:
http://www.wdr3.de/resonanzen/details/artikel/wdr-3-resonanzen-13.html
A radio piece for Deutschlandradio ‚Breitband’ by Anja Krieger includes sound by Yolande:
http://breitband.dradio.de/tracing-mobility/
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Scorescapes Ph.D. Defense at Leiden University
The public defense for Yolande’s Ph.D. research project “Scorescapes: on Sound, Environment and Sonic Consciousness” will take place at the Academiegebouw, Rapenburg 73, Leiden University, NL.
10:00, Tuesday 6 December, 2011.
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Tracing Mobility, HKW, Berlin
24 Nov – 12 Dec 2011, Taking Soundings, Sun Run Sun and Navigating by Circles/Sextant will be shown in this group exhibition on experimental forms and implications of mapping and cartography in networked space.
Participants Include: Frank Abbott (UK), Aram Bartholl (DE), Neal Beggs (UK/FR), Heath Bunting (UK), Janet Cardiff /George Bures Miller (CAN), Miles Chalcraft (UK/DE), Simon Faithfull (UK), Yolande Harris (UK/NL), Folke Köbberling & Martin Kaltwasser (DE), Landon Mackenzie (CAN), Open_Sailing (FR/JP), Plan b (Sophia New & Dan Belasco Rogers) (UK/DE), Esther Polak & Ivar Van Bekkum (NL), Gordan Savicic (AT/NL), Mark Selby (UK), Michelle Teran (CAN/DE)
Tracing Mobility – Cartography and Migration in Networked Space
Exhibition, Symposium, Open Platform, at www.hkw.de
Opening: 23 November
24 Nov – 12 Dec 2011
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Pink Noise at WRO Media Art Biennale, Poland
The sound and video installation Pink Noise explores alternative, non-institutional experiments with hyrdophones to question our access to and influence on the underwater environment. Recorded in a National Marine Reserve, The Pink Noise of Pleasure Yachts in Turquoise Sea (full title) reveals unearthly anthropogenic sounds set against idyllic water. Part of the Scorescapes series.
Opening 10 May 2011, 19:00
Exhibition 10 May – 19 June 2011
WRO 14th Media Art Biennale, Wroclaw
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Scorescapes at Issue Project Room, New York
Two installations and a full evening of Scorescapes works as part of the Sonic Unconscious series at Issue Project Room, New York. Including installations Tropical Storm, Pink Noise, lecture performance Tuning In/Spacing Out a collaboration with Edward Shanken, Fishing for Sound and SWAMP 3 with Kato Hideki, Jim Pugliese and William Lang.
Saturday 16 – Sunday 17 April 2011
Installations 17:00 – 19:00, Performance Saturday 19:00
Issue Project Room, Old American Can Factory, 232 3rd St, Brooklyn, New York
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Artist Talk at STEIM
Artist talk at STEIM Amsterdam, 11:00 – 13:00 Tuesday 22 March 2011
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Fishing for Sound, at Shedhalle, Zurich
Performance of Fishing for Sound, at opening of exhibition “Dump Time. For a Practice of Horizontality”, on sleep, dreams and their effect on everyday life. Curated by Anke Hoffmann and Yvonne Volkart.
Shedhalle, Rote Fabrik, Seestrasse 395, Zurich
Opening: Friday 4 March 2011, 7pm
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Ground Level, Hayward Gallery Touring, Leamington Spa UK
Taking Soundings and Navigating by Circles (Sextant) in traveling group exhibition Ground Level by the Hayward London, curated by Kit Hammonds, exploring how contemporary art practice, mapping and cartography collide.
featuring artists; Maria Thereza Alves; The Atlas Group; Ricardo Basbaum; Heath Bunting and Kayle Brandon; Center for Land Use Interpretation; Simon Evans; Yolande Harris; Christian Philipp Müller; Eyal Weizman and Stephen Willats.
17 February 2011 – 10 April 2011 Leamington Spa Art Gallery and Museum, Leamington Spa, UK
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ORCiM Research Fellow, Orpheus Institute Gent
Selected as a new research fellow of the Orpheus Research Center in Music – ORCiM – for 2011, as part of practice-based research with an international group of musician-researchers – “artistic experimentation in music”.
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Ground Level, Hayward Gallery Touring, Mostyn Gallery LLandudno
Taking Soundings and Navigating by Circles (Sextant) in traveling group exhibition Ground Level by the Hayward London, curated by Kit Hammonds, exploring how contemporary art practice, mapping and cartography collide.
featuring artists; Maria Thereza Alves; The Atlas Group; Ricardo Basbaum; Heath Bunting and Kayle Brandon; Center for Land Use Interpretation; Simon Evans; Yolande Harris; Christian Philipp Müller; Eyal Weizman and Stephen Willats.
20 November 2010 – 3 January 2011 Mostyn Gallery, Llandudno, Wales
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Sound and Score, ORCiM, Orpheus Institute Gent
Presentation of paper ‘Scorescapes: the score as a bridge between sound, self and environment’, in the International ORCiM Seminar on Sound and Score, Orpheus Institute Gent.
16 December 2010
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Tuning In /Spacing Out lecture, University of New Mexico
Tuning In, Spacing Out: the Art and Science of the Presentness of Sound, lecture and paper presentation with Edward Shanken at the University of New Mexico College of Fine Arts Albuquerque, US
M0nday 29th November 2010 (time and place tbc)
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Tuning In /Spacing Out lecture, Washington University US
Tuning In, Spacing Out: the Art and Science of the Presentness of Sound, lecture and paper presentation with Edward Shanken at the Sam Fox School of Design and Visual Art Graduate Center, Washington University, St. Louis, US.
16:30 – 19:30 Lewis Center, 8 November 2010
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‘Fishing for Sound’ at Ear to the Earth Festival, New York
Performance of Fishing for Sound and new work on sound in sailing and swimming, in the environmental sound festival Ear to the Earth 2010, organised by Electronic Music Foundation (EMF) New York City. This years theme is ‘Water and the World’, including presentations by R.Murray Schafer, Bernie Krauss, Phil Niblock, Matt Rogalsky, Andrea Polli, David Rothernberg and others.
20:00, 28th October 2010, Greenwich House, Manhattan, NYC
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Ground Level, Hayward Gallery Touring, Derby
Taking Soundings and Navigating by Circles (Sextant) in traveling group exhibition Ground Level by the Hayward Gallery London, curated by Kit Hammonds, exploring how contemporary art practice, mapping and cartography collide.
featuring artists; Maria Thereza Alves; The Atlas Group; Ricardo Basbaum; Heath Bunting and Kayle Brandon; Center for Land Use Interpretation; Simon Evans; Yolande Harris; Christian Philipp Müller; Eyal Weizman and Stephen Willats.
Opening 17 September, exhibition 18 September – 31 October 2010 QUAD, Derby UK,
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Therapy for Future Flooding, Machine Project/Hammer Museum UCLA
Therapy for Future Flooding is a new composition commissioned by Machine Project as part of the Little William Theater Festival of New Music at the Hammer Museum, UCLA Los Angeles. The piece imagines dream-like communication within a confined space between two musicians and two audience members in an intimate atmosphere.
13:00 – 16:00 Saturday 11 September, 2010, Hammer Museum UCLA
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Sun Run Sun, Scorescapes, Walking Piece in Thesis
Susana Zaragoza and Marta Colpani from Masters of New Media at University of Amsterdam use Sun Run Sun, Scorescapes and the walking piece experiments as case studies in a theoretical context in their thesis research “SPACE, but not as we know it: Locative Mapping and Non-Representational Geographies” and “New Media Shaping of Perception and the New Space of the Body”
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‘Field’ paper at Sounding Out 5 conference
Field: Thoughts on the Extremities of Field Recording published in the proceedings of the Sounding Out 5 Conference, Bournemouth UK, 8-10 September 2010
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Sun Run Sun, Pink Noise on DeutschlandRadio Kultuur
A special program Ruhrotronics: Klange der ISEA, by Marcus Gammel on DeutschlandRadio Kultuur. He has included excerpts from Yolande’s ISEA presentation Making the Inaudible Audible, Sun Run Sun and Pink Noise.
3 September 2010, 00:05
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ISEA 2010, Ruhr, Dortmund
Making the Inaudible Audible: Strategies and Disagreements (or Whale?) Paper presentation at International Symposium of Electronic Arts (ISEA), Dortmund.
10:00, Tuesday 24 August, 2010
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Performance at Pauline Oliveros Deep Listening Retreat
A series of semi-improvised performances coming out of the week long Deep Listening Retreat, directed by Pauline Oliveros, Ione and Heloise Gold. The retreat and final performances work with techniques of listening, meditation, movement and dream practice.
22:00 Saturday July 10, 2010, Nau Coclea Music Festival, Spain
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Taking Soundings at Hayward Touring/ John Hansard Gallery
Ground Level
Hayward Touring Curatorial Open II, John Hansard Gallery
29 June – 21 August 2010
This exhibition brings together international artists who perform their own personal forms of cartography in their practice. The resulting works suggest maps and surveys, but rather than portraying a singular worldview they put forward idiosyncratic readings of place, drawing from the shared landscapes of language, peoples and signs as well as geography. Curated by Kit Hammonds, winner of the 2010 Curatorial Open.
Maria Thereza Alves | The Atlas Group | Ricardo Basbaum | Heath Bunting and Kayle Brandon | Center for Land Use Interpretation | Simon Evans | Yolande Harris | Christian Philipp Müller | Eyal Weizman | Stephen Willats
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Sound Flares at Sowieso, 6 June, Berlin
Yolande gives an artist talk called Sound Flares and Scorescapes, at concert/lecture series Certain Sundays curated by Chris Heenan and Christopher Williams.
17:00 – 19:00, 6 June 2010, at Sowieso, Neukoelln, Berlin.
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S.W.A.M.P. 2 at Galerie Mazzoli, 5 June, Berlin
An evening performance exploring the edges between environmental recordings and acoustic improvisation, makes the second version of S.W.A.M.P. (Some Wayward Attempts at Monitoring Prawns) (after Diapason Gallery, NY June 2009). Yolande Harris’ environmental and underwater sounds, with Christopher Williams (double bass), Morton Olsen (bass drum) and Werner Dafedecker (double bass).
21:00 at Galerie Mario Mazzoli, Berlin, 5 June 2010
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Review in WIRE
The Sonic Acts XIII Festival on The Poetics of Space, was reviewed in the May issue of Wire Magazine by Rhama Khazam. She singled out Fishing for Sound in the concerts and performance section of the festival:
“Yolande Harris’s Fishing for Sound brilliantly exploited sound’s capacity to conjure up a sense of place. Associating underwater sounds with sounds used to treat stress disorder and sonified data from satellites, it connected outer space with mental and underwater spaces, inviting listeners to think back on their own experiences of such envrionments and their sounds.”
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Resonator, AVFestival Newcastle
“Resonator is a procedural performance-workshop and idea exchange which investigates diverse artistic, materialist and spiritualist practices that converge around the importance of vibration as a means of making sense of the universe.”
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Sonic Acts XIII, Amsterdam 25-28/02/2010
A solo performance Fishing for Sound based on underwater recordings and a presentation in the conference with art historian media theorist Edward Shanken. Sonic Acts Festival, The Poetics of Space, Amsterdam
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Exhibition Club TransMediale, Berlin 29/01 – 28/02/2010
Pink Noise or The Pink Noise of Pleasure Yachts in Turquoise Sea. Video and sound installation using underwater recordings collected at a National Marine Reserve in Spain during a Sunday in August
Group exhibition Esemplasticism: The Truth is a Compromise, Tag / Club TransMediale, Berlin
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